De Roman als Schilderij Vladimir Nabokov en Jean Rousset

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Samenvatting

In this article I examine the literary views of the Russian-American author Vladimir
Nabokov (1899-1977) using the work of the Swiss critic Jean Rousset (1910-2002).
Rousset’s Forme et Signification (1963) displays a combination of phenomenological literary
criticism with structuralist interests. It will be shown that his thoughts and method
therefore provide a valuable context to understand Nabokov’s views on writers, readers
and literary communication.

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